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Lucy Lawless!



 

   

She speaks French, German, some Italian, American accents, has fighting skills(swords, staves, etc), is an experienced horse rider, does yoga, and is a dedicated wife and mother!
   

  

           

Women's Health Update Magazine
Volume 6, Number 3, October 2001

Warrior princess in stunning new role

Cordelia Lockett reports on the New Zealand campaign during World Breastfeeding Week.

When Women's Health Action's breastfeeding advocate Sian Burgess decided on Lucy Lawless to front the World Breastfeeding Week campaign in August, she was in for a bit of a shock.

"I wanted a high-profile poster, so I thought, who's famous and is breastfeeding? I came up with a few names with Lucy's as the biggest. But I didn't realise quite how big! The response has been huge - from around New Zealand but also from Australia, the States, even Europe."

The classic madonna and child pose of Lucy Lawless breastfeeding her baby on the edge of a chair, exudes a Renaissance painterly beauty.

But read the tagline below, "Breastfeeding - my best role ever" and it's utterly contemporary- bang in the middle of twenty-first century celebrity stardom.

The poster was distributed widely to maternity providers and other health professionals, secondary schools, DHBs, childcare centres and community groups.

While the response was largely positive, it provoked some controversy. A few people questioned the combination of breastfeeding and sexy sophistication.

"It challenges the dominant media imagery of the breast", explains Sian. "We are saturated with sexual images of the breast on billboards, TV, in magazines, but here we have an image of a breast being used as nature intended it.

Even just seeing a photo of breastfeeding is unusual in our culture and for every one breastfeeding image, there are 250 images of bottles and artificial feeding.

In this environment a photo of a well-dressed woman breastfeeding her healthy, well-fed baby (and Xena the warrior princess what¹s more), is a political act."

During its development, the poster was pretested with members of the target audience (young women aged 15-35 years).

Sian was delighted that the group had picked up on the intended messages, demonstrated in responses like -
  • "she makes breastfeeding fashionable",
  • "she makes you think you don't have to stay home to do it"
  • "she looks like she's enjoying it."

Another part of the World Breast-feeding Week campaign infiltrated cafes and other public places young women go. Free postcards promoted the superiority of human milk for human babies and challenged the acceptance that cows milk formula is equivalent to breast milk.

But surely everyone knows breast is best these days?...

"Yes and no" says Sian. "The benefits of breastfeeding are indisputable.

But while 98% of pregnant women say they want to breastfeed, by the time the baby is six months old, only seven percent are exclusively or fully breastfeeding.

The social deterrents are overwhelming. Currently there is insufficient support for women to continue to breastfeed."

Sian advocates a range of affirmative actions to change social attitudes towards breastfeeding including:

Extending Paid Parental Leave to at least six months to enable exclusive breastfeeding for that period.

Encouraging family friendly workplace practices, such as paid breastfeeding breaks, to enable women to continue breastfeeding when they return to work.

Promoting positive social attitudes towards women who breastfeed in public.

Creating a community where mothers are supported and encouraged to continue breastfeeding their infants beyond the first few weeks.

I asked Sian if she thought she might do something a bit more low-key for next year's campaign. "I want to do something even bigger and better next year - something really extraordinary. I just haven't thought of it yet."


 

She also had a fabulous home birth! A water birth.

"New Zealand's very own princess Lucy Lawless sure knows how to make a splash. The tough-talking, leather-clad star of Xena: Warrior Princess gave birth to her little warrior prince Julius underwater. Lucy and her husband, Xena producer Rob Tapert, were at home in Auckland with a midwife when Julius was born in a 'pool of water', specially designed to make childbirth more comfortable.  Nothing is more natural for a baby

According to a US tabloid, Lucy wanted to have Julius as naturally as possible. 'Nothing is more natural than having him in water,' said the down-to-earth Kiwi star. 'The water temperature in the birthing pool is similar to a mother's body temperature. The baby is essentially floating in water for nine months so it's a smoother transition when they are born.'

Nothing of Lucy's huge acting success can compare to the magic of having another baby. The besotted couple is over their bouncing little : Even 11 year-old daughter Daily, Lucy's child from her first is excited about having a brother after all these years. "

        

 


    

 
   



 

Evening Post (Wellington - New Zealand) 4 July 1998
Excerpts

She's an international cult figure, role model and feminist hero. But Lucy Lawless, star of the TV series Xena, Warrior Princess, rejects the labels. In her own words, she's just "a bloody girl from Mt Albert". A traditional girl, at that: she recently remarried (to her producer) in a traditional white-dress Catholic wedding. In a disarmingly frank interview with Post staffer Sarah Daniell, published today, Lawless talks about the pressures and pitfalls of fame - and of her determination to avoid them.

"When I started Xena," she reflects, "people were disappointed when they saw me driving around in an old car. They were slightly bummed that I was ordinary. And now I have all the trappings of success they like the fact that I'm ordinary. Not exactly accessible, but ordinary."


She needs no introduction - the startling blue eyes, the raven mane and striking physical presence are legendary qualities in themselves. But what is most startling is that when Lawless drops her warrior shield, she blows the myth of the staunch defender.

She has gone where few NZ actors have gone before, and without the affectations of many of her Hollywood counterparts.

As she warmly chats on the phone from her Auckland home, it's hard to imagine this actor throwing a wobbly on set because she has the wrong brand of mineral water in her trailer. Lawless gets on with the job. She describes as "precious" the people who work with her 12 hours a day, six days a week, and insists she is merely one part of a dedicated team.

"If I'm a crumb-bum and make their lives miserable, for God's sake they'll leave. I know my mood affects so many people's work and that the staff set the tone on the set. They may not set the pace but they certainly set the tone."

She breaks off to tell the dog, Lucky - "a crazy mutt" - not to be sick on the carpet ("I'm not really a huge pet person") and laughs when confronted with questions of fame and icon-ism.

Two years ago, she reeled when American magazine Ms saddled her with leading a mass-culture movement. "I feel they [feminists] are objectifying me .... they think I'm a counter Barbie Barbie," she said at the time. "Well f... you. Don't set me up as television's gladiator Roseanne..." And: "I don't wanna be anyone's role model. Go away. I have enough trouble being my daughter's role model."

Now she seems to shrink from such impassioned responses. "It's just that I was terrified. I mean, you're a bloody girl from Mt Albert [in middle-class Auckland suburbia] and all of a sudden they're hailing you as an icon. And that's hard to deal with. Now I can take it all with a grain of salt. I know it's not me, it's just some media spectre they've helped conjure up. They need it. People need that sort of thing. When I started Xena," she reflects, "people were disappointed when they saw me driving around in an old car. They were slightly bummed that I was ordinary. And now I have all the trappings of success they like the fact that I'm ordinary. Not exactly accessible, but ordinary."

It's probably just as well she's more relaxed about being a role model, because her massive following would be hard to ignore. Young men and women identify with this "bloody girl from Mt Albert". She is strikingly beautiful but about as far from bimbo as it's possible to get. She's tall (1.8m) and she's not likely to blow over in a gust. And there has never been a female character like Xena on television. Wonder Woman? The Bionic Woman? They were, well, just too nice and besides, Xena's strength comes naturally - she hasn't been tampered with electronically (at least, not that we know of....). The closest Xena gets to enhancing nature is a Wonder bra. "Real women wear padding, they don't get plastic surgery," says Lawless.

Does she ever forget where Xena ends and Lucy begins? "I'm always Lucy. I never feel any pressure to be anyone else. I mean, who else can you be?"

"There were times when it was difficult and then I kind of got over it. And what amazes me is that your ordinariness all of a sudden makes you unique. So it's really easy to go on being yourself and it's the happiest way to deal with life too. I don't want to be miserable. I know how short this life is, that I'll be 80 one day."

The fearless qualities that sparked such labels as "feminist icon" seem part of Lawless herself, who intermittently throws in statements like, "Feel the fear and do it anyway". It is less a conscious political statement. "It seems totally natural to me that women are equal to but different to men. I never questioned that it was any other way."

Lawless was the fifth of seven children and decided from an early age to perform. SHe sang at home to her treasured Grease soundtrack and had an affinity with bad girl Rizzo - unwittingly rehearsing for the role she would play 20 or so years later on Broadway. Later she appeared in TV commercials and co-hosted a travel programme. She travelled, worked in Australian gold-mines and got married to Garth Lawless, with whom she has a daughter, Daisy, now 10. The marriage ended, but she is philosophical about that chapter in her life.

"All experience in life should make you a better person..... If you don't accept 50 percent of the responsibility, not blame.... for whatever position you're in, you can't heal yourself. You can't go on and do things because you're playing the victim. It means now that now I'm a far better potential partner, yep."

And then along came Xena, a role she only got because others were sick or turned it down.

"Fame was never the end product. I'll bet your bottom dollar I'm still working when I'm 80."

She is clean living, has given smoking and vegetarianism the boot ("being a vegetarian made me anaemic") and says she's in bed by eight o'clock each night. But she enjoys "killing a few brain cells about once a year".

She is fiercely protective of her privacy and aware of the repercussions of fame for those close to her. And she's more than a little gun-shy after a recent column all but revealed her Auckland address.

"You don't expect a weasel not to act like a weasel. And you don't expect a gossip columnist not to act like a gossip columnist."

Women's magazines get a swipe of the warrior's sword too, and though she has graced the cover of many, she has never granted any an interview.

"It's like making a pact with the devil, you know. If you take the ups from them, you also have to take the downs with them. If they don't keep you rising and falling in popularity in their own personal poll, then they have nothing to fill their pages with."

This Mt Albert girl who cite mega-clever actor Susan Sarandon as a hero, keeps her own counsel. She knows Xena has an expiry date. But right now she's having a hell of a time. "I know that when I'm 80 I'm gonna say 'Wow man, I did Broadway'. And I know that if I die young, I know that I'm sucking the life out of every day. I'm not waiting to be happy later."

   

 

         

 

       

        

 
 
 

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